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Charlotte Clee's avatar

brilliant amis impression

Robert Cremins's avatar

He’s especially good on Jane Austen in TPW (with at least one gag he’d rehearsed elsewhere). But more than that, the main character, Keith Nearing (as the name suggests, an Amis substitute with subtle differences), works his way through the 18th and 19th century novel, with some assistance from the Borgesian ‘infinite library’ in the Italian castle he’s staying at, for the formative summer of 1970.

I think your colleague Nick mentioned Eliot in the course of the podcast, and it strikes me that TPW is also playfully Eliotic: there’s a Tradition and the Individual Talent dimension.

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